Kaelen Wilson-Goldie is a contributing editor for Bidoun, writes regularly for Artforum and artforum.com, and pens a column for Frieze. She has contributed essays to numerous anthologies, exhibition catalogues, and journals (including Afterall, Camera Austria, and Parkett) on subjects ranging from video art, experimental music, and public space in postwar Lebanon to monographic texts on the work of Etel Adnan, Saloua Raouda Choucair, Iman Issa, Wael Shawky, and Eric Baudelaire. She teaches criticism in the department of fine arts and art history at the American University of Beirut.